It seems to me that most of graduates of secondary schools are
not ready to choose the subject of their studies independently. An
18-year old having an A-level, has a certificate of as-if-maturity.
Most often the person in question is not mature, and rather a halfwit,
and yet she or he is to decide about her or his life, is to take the
decision of more consequence than that of marrying, raising a family
– the decision of choosing one’s profession. The maniacs and people
of passion are generally better equipped in this respect as are
geniuses, child prodigies or other deviants, all those who show their
talents at an early stage. It is easy to say what their calling is. This
happens most in music, because the musical ear can be discerned
very early and in most unexpected places, environments and sometimes
among the very primitive.
However, now and then it is the other way round. I went to study
architecture because my parents persuaded me into it since they did
not approve of my childhood passion for film. And no wonder. In
those times film was regarded as only slightly less vulgar than circus.
Also, nothing indicated that it would become anything better. To the
contrary, it was feared that it would become the disseminator of the
regime propaganda and my parents, epitomising the “reactionary
intelligentsia”, could not allow it. They convinced me that architects
had much better prospects considering the need of re-building
Poland after the ravages of war and thus I went to the entry exam.
I feel very grateful to my parents: I graduated from architecture at
the Krakow Technical University with distinction, supervised by professor
Juliusz Żórawski, and although he made an offer of employing
me in his Chair, I went to study film in Łódź. It was not easy to be accepted
there but I tricked my way in. My diploma work was… a design
of a feature film production studio. I consulted the project with professor
Stanisław Wohl, the lecturer at the National Film, Television
and Theater School (PWSF). It seems that he was so proud of the design
into which he contributed with his great knowledge of film technology
that he also backed me up in gaining access to the world of
film-makers.
I was born in Lwow 79 years ago, graduated 50 years ago from architecture
in Krakow and finished film school 45 years ago. In those
years I made circa 80 films of all sorts; TV series and TV set productions
and 14 feature films, to which I devoted most of my attention.
I also wrote scripts and dialogues for most of my films and published
4 books. I consider Zaklęte Rewiry (The Enchanted Stations, 1975)
as my best film although CK Dezerterzy (Imperial and Royal Deserters,
1985) turned out to be the greatest hit. I think that the least
known of my films Lekcja Martwego Języka (Lesson of a Dead Language,
1979) is perhaps the most beautiful of all. The TV series
Królowa Bona (Queen Bona, 1980) and Siedlisko (The Family Home,
1998) have been shown many times. My latest work has been the
film and the book Mała matura 1947 (GCSE 1947; A special Award
of the Jury of the Polish Feature Fim Festival, Gdynia 2010). If anyone
is interested to learn more about me please visit:
http://filmpolski.pl/fp/index.php/112312
At the moment I am a retired professor of the National Television,
Film and Theatre School in Łódź with a number of my former students
being the top Polish film directors – unfortunately, of the older
generation already. I have always praised the school to my students
saying that the fact that I finished it was the best recommendation.
However, I have always added that I had to give credit to the studying
of architecture for being trained in the principles of composition,
harmony, logic and above all structure; because a film like a
house needs to have a solid foundation, clear structure, and it needs
to be useful – but also beautiful.
Janusz Majewski
Warsaw, July 2010